A struggling photographer gets more than he bargained for, discovering the truth of what his new camera is really capable of.

Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. As of 2011, Monsters airs on NBC Universal's horror/suspense-themed cable channel Chiller in sporadic weekday marathons.In a similar vein to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode of Monsters featured a different monster which the story concerned, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats.Similar to Tales, however, the stories in Monsters were rarely very straightforward action plots and often contained some ironic twist in which a character's conceit or greed would do him in, often with gruesome results. Adding to this was a sense of comedy often lost on horror productions which might in some instances lighten the audience's mood but in many cases added to the overall eeriness of the production.

Jenn lives in an underground bunker, protected from the monsters that now ravage the world. This is the day that she goes outside...

An ambitious city councilman has his life turned upside down when he discovers that his every move is being filmed by a camera crew that only he can see.

A photojournalist suffering from PTSD returns home from Iraq and finds himself struggling to keep his sanity and family intact.

Footage caught on camera phones shows disturbing scenes of horror when 8 go missing.

A documentary readymade about family lore and chocolate biscuits.

Pioneering filmmaker Siegfried A. Fruhauf (Thorax, MIFF 2021; Water and Clearing, MIFF 2019) returns with a cinematic journey in which landscape images are separated by several monochrome frames of green leader. 　　Simultaneously connective and disorientating in its stroboscope effect, the Austrian master’s new work strings together landscape recordings created in the context of a camera test. The result is a sparse yet slashing work, where the camera’s gaze zooms into the passing landscape – and into the uncanny sublime. 　　源自：https://miff.com.au/program/film/camera-test

Ane, a blind girl on the verge of the puberty, discover the photography and her first love at the hands of his uncle Antonio, a mysterious photographer who returns after a long time to the family home, where they spend the summer. Overprotected by their parents (Leyre Berrocal and Josean Bengoetxea), who want to operate her again and again to try to restore her vision, and isolated by other teenagers, Ane is capturing with her camera things that nobody wants to see and that will throw a new light on the family life.

A look at the relationship between Mike and Sulley during their days at Monsters University — when they weren't necessarily the best of friends.